1800s Reproduction Fabrics

Just a bit of a (long) catch up

April 4, 2012 by Margaret

I was going to say “where do the weeks go. . .”

meaning my US trip is approaching at an alarming rate (2 weeks til departure day and still a lot to do)

However as I was preparing some photo’s for today’s post, it suddenly felt like

“where do the years go?”

as my gorgeous boy child

is gettin’ hitched, his words, just a few days after my return. I wish I were exagerating.

So in addition to the items on the ‘to do’ list was a worrying “when will I have time to shop for the wedding?”

Well the wedding frock gods were shining on me the other day. I went to the Essendon Quilt Exhibition (always a fabulous show) and timed it with some errands I needed to do in the area. Wedding shopping wasn’t on my mind for that day.

But I chanced upon a shop that looked promising and found something. It’s the complete opposite of what I had in mind (which was a long silk shirt over trousers)

wee bit glam

Only need to decide which shoes to wear.

However, after a nose bleed inducing amount of hours flying back from Boston, I am probably being optimistic about either of those shoes.

“I have been sewing”

Oh boy oh boy have I been sewing!

Last time I posted I had three Maltaville blocks to draft/sew and a couple of pesky calyxes to add to the centre.

Drum roll.

Block B2

I seem to have not taken a photo of its neighbour B3 (don’t know how or why that happened)

But the final block I drafted and sewed was G7

Block G7 in progress

This one took some time, not one I could prep in one hit

Block G7

but finished now none the less.

I have trimmed the Centre block

If ever there was a case of the maxim measure twice, cut once this is it.

Of course I measured a lot more than twice LOL.

Then continued with the assembly of blocks

and just yesterday sewed the last seam

And now realise I’ve photgraphed it upside down

But that’s as much as I will do on it til I get back,

I will worry about any embroidery and border treatment, not to mention the quilting, later.

I have started prepping some pieces for my travelling sewing, but will show that soon.

I will have my LQG Raffle Quilt to quilt as soon as it comes to me, which I know is imminently.

Here’s a sneak peak as we were assembling it last week

image of Goldfields Quilters Raffle Quilt

They look pretty pleased with themselves don't they

Apologies for the colour, there is wierd overhead lighting which is great to work by but does awful things to photo’s

I am going to be updating some pages on the website this afternoon, I hope, hope, hope you don’t get swamped with emails about updates.

I’ve been a bit scared to do anything on it in case.

But I apologise if it does happen, I’ll be ready to bin the page if it happens again.

til soon

Margaret

2 Comments

Filed Under: 1800s Reproduction Fabrics, Applique, Design, Maltaville Album Quilt 1847, Reproduction Quilts, Smithsonian Fabrics, Travel

Gorgeous basket blocks

February 19, 2012 by Margaret

for a gorgeous lady.

Work in progress, a Smithsonian fabric basket block

My friend Irene whom I mentioned a couple of posts back is having a special birthday this year.

Irene decided to plan her own birthday quilt project, how organised is she!!

So a request was sent to me to please make a 6″ basket block and write a message on it.

Of course I wanted to give Irene a block made out of my Smithsonian fabrics, cos they’re special and so is she.

I had fun making up this basket block, choosing the fabrics and stitching it by hand.

I was worried the message wouldn’t show on the background fabric so I appliqued a leaf on to it, what you see is the wrong side of the background fabric and wrote my message on that

Smithsonian fabric basket block

As well as our trip to the U.S.A this year, Irene and I are involved in a few projects together so I felt this Maori proverb was perfect.

Like all good proverbs the literal translation is only hinting at the deeper meaning of the words,

With my basket and your basket the people will live

or let’s combine our ideas and resources, good things will happen.

After I had made this block, I realised I still had something important to tell Irene so I made her another block.

"you can't go past a good paisley"

That’s a message that needs no explaination

happy stitching

Margaret

2 Comments

Filed Under: 1800s Reproduction Fabrics, Applique, Musings, Paisleys, Smithsonian Fabrics

A little more applique

January 24, 2012 by Margaret

I’m happy to have made some progress on the applique cradle quilt which I started back in October.

It’s inspired by an 1826 Cradle Quilt from New Jersey in the collection of the Michigan State University.

I know it was October because I wrote the date in the book.

A very good habit to get in to.

See where I’ve written ‘started with 75cm’ of the Windham True Madder.

mmmmm… it’s not really very much is it.

In my defence I often start quilts in this way, I just want to get going and worry about minor details

like having enough fabric!

later on, if and when it becomes a ~~problem~~ hurdle.

Anyway once the quilt got to look like this

Cradle Quilt centre block

I started thinking I’d like to try and get some more of that madder if possible.

The range is a few years old now and I haven’t seen any on the local shelves for a long time,

but Laptop quilts in the US came up trumps with the last piece, possibly.in.the.world, just shy of a yard.

Had to make the postage worth it of course so I also grabbed 4 yards of another oldie but goodie.

Colonies Vintage Browns #16841 and True Madder #20327

Phew, just in time for Christmas.

While waiting for my fabric to arrive I had ummed and aahed about what to applique in the setting triangles.

From the start I had planned to do something different to the three tulips which are placed in each corner of the original quilt. I had some ideas which were discarded then replaced with other ideas, which were also discarded.

Then I got to thinking there would be a reason the maker had put tulips in her quilt, don’t know what it was of course but I’m sure she had one. Maybe she had several reasons.

And I hadn’t come up with a better option so one night about two weeks ago, with an hour and a half before a movie I wanted to see started, I came over to the studio on a mission.

Paper-cut a tulip and see if I like it as nothing else is coming to mind that I can settle on. And it’s only paper…nothing lost.

I had to paper-cut two tulips to get one I was happy with

Trialling tulips

Yep, that’s good… a single tulip in each corner.

I had time to prep one tulip and baste it to the background in readiness for watching my movie,

Vicki, Christina, Barcelona

but the picture shows a couple of days later with two tulips sewn

I prefer to applique the pieces on to a square to avoid stretching the bias.

I’ve finished that part of the applique now and they are ready to be cut apart and sewn to the centre block.

So it’s coming along nicely.

til soon,

Margaret

PS Jenn has darkened the dark grey text to almost black here, and knows the yellowy colour and the deep red need work, we may even change the colour completely. Please continue to bear with us, it takes a bit of diary negotiating to fit in the time neeeded to do it.

6 Comments

Filed Under: 1800s Reproduction Fabrics, Applique, Cradle Quilt 1826, Design, Reproduction Quilts

Maltaville Matters

January 17, 2012 by Margaret

A few of you have let me know I have a quilt in the lastest Quiltmania magazine

I was thinking this post would be about that but, alas the mail delivery to my little country area of Victoria is a weeny bit tardy so I’m hoping it will be there when I go the Post Office tomorrow.

Cos I’m busting to see it!!

To keep myself from going insane with excitement and anticipation I’ve been busying myself in the studio.

I’m not sure what to show you first, maybe I will have to do a couple of consecutive posts so it doesn’t all end up a jumbled mess.

Maybe a little bit of Maltaville news first.

I finished this block at Quilting last Wednesday night so I’m happy about that

Block F6

Then I prepped another, and finished it.

Block B4

I also took copious photo’s of this one in progress because I have been using a product which Jennifer recently got me on to.

It’s called Appli-Kay Wonder by Floriani, and I felt a tutorial for the Maltaville Blog was in order, so that will appear soon on the

Maltaville Album Quilt Blog tutorials

In the original quilt the block bears the verse

The only amaranthine flower on earth is virtue

the only lasting treasure, truth

So this sent me on a trip around the web which lasted several hours,

to learn more about the author of these words, English poet and hymnodist William Cowper 1731-1800.

William Cowper, oil painting by Lemuel Francis Abbot in 1792. This painting is in the collection of the National Portrait Gallery, London

This verse is taken from his work The Task: A Poem, in Six Books published in 1785.

The only amaranthine flower on earth is virtue

The only lasting treasure, truth

But what is truth? ‘Twas Pilate’s question put

sorry, I just had to add it again, this time with the last line from that verse.

The maker of the block was a Mary something long starting with W, Water…y?

I’m hoping Fiona has better luck as she’s been great with the deciphering of names on this quilt.

Then of course I went off on another search for the Amaranth flower,

well there’s a few varieties to choose from but I just chose this because I like the look of it

Amaranth flowers

Amaranth are long lasting, so it seems a fitting flower to appear in verse, which it does… many times.

Today I prepped this block to sew tonight

Block H5

and I’m happy to be working again on a quilt that’s been on the back burner for a few months and I’ll share that with you soon.

Hopefully tomorrow I’ll be enjoying that Quiltmania magazine,

see you soon

1 Comment

Filed Under: 1800s Reproduction Fabrics, Applique, Design, Maltaville Album Quilt 1847, Smithsonian Fabrics

Red & White Pine Trees Quilt

January 11, 2012 by Margaret

I’ve got quilting tonight, it’s my LQG’s first one for the year and I’m looking forward to catching up with all my quilting buds.

I’ve got heaps of Show and Tell of course because I can take the two finished quilts from the previous post

and

this quilt top…

Pine Trees quilt

You might remember I had run out of puff a little while ago with this quilt.

Truth be known, I had made two and a bit blocks several months ago,

and the ‘bit’ of a block is because I got some of the units turned the wrong way

(isn’t that what always happens when sewing late at night)

I could use those units in another block, but I guess that was enough to get out of sync with it.

So on Monday I got the Ikea tub out (all my projects are in Ikea tubs) and decided to just get on with it.

ooodles of half square triangles

First things first,

coffee,

then sew.

So many half square triangles, I quickly dubbed the day Mundane Monday.

I sewed them in chains of twenty as that is how many are required for each block.

I had to make 260 of these for starters

(I had already made 60, luckily)

But I got on with it because I didn’t want to still be making those the next day or it would be tedious Tuesday

Down to the last few

By the end of the day I had all the blocks done.

Tuesday morning I was set to get this knocked over in the day.

Way back at the start I had cut all the setting triangles and plain squares,

the border strips and even the binding, as I was worried about having enough of the Smithsonian Red.

"I can feel an empty tub coming on..."

There’s no other way to do it is there?

Is this what you do too, just lay it all out on the floor and start sewing…

Nearly there

I realise now I didn’t take a photo of the borders, which I sewed as four sets of complete strips

(Red, White, Red, White)

then added them with mitred corners.

I think if I had done them as four separate rounds I’d still be at it.

The inspiration for this quilt,

apart from Linda Collin’s Exhibition later this year

and apart from having enough, with only a little to spare, of Red Smithsonian Fabric,

was an 1875 – 1900 Pennsylvanian quilt in the American Museum in Britain (Bath) collection.

The original quilt is quilted with Feather Wreaths in the plain squares and Clamshells in the pieced blocks.

If I decide to do that it will keep me out of mischief for a while LOL.

I’ve got to join a back before I get up to that bit.

In the meantime, I’ve got this to work on tonight at quilting

Block F6

The whole block is stuck done and ready to go sew, time for a quick cuppa then I’m off.

Til soon…

14 Comments

Filed Under: 1800s Reproduction Fabrics, Maltaville Album Quilt 1847, Pine Trees Quilt 1875-1900, Reproduction Quilts, Smithsonian Fabrics

2012, i think it’s gonna be a good one.

January 8, 2012 by Margaret

It’s certainly started off well anyway,

Friends, quite literally, wandered in on a whim about 8pm New Year’s eve to see what we were doing…

Max and Benson,

…which wasn’t a lot, but we soon had something celebratory happening.

And it was 2012 when they left.

We have had very hot weather here during the first week of January, several days of temps around 36 to 40 degrees C (97 – 104F) so it was way too hot to be over in the cottage/studio.

Instead I decided to work in the house and get a couple of my own quilts quilted.

A quilt of many names and inspirations

Quilting this quilt top was on my Summer hol’s to do list after I finally embroidered the three pairs of legs and four eyes required to complete the quilt about a month ago.

I started this quilt back in 2008, it’s a Nonie Fisher pattern from a quilt she started in 1998 which she called ‘As Time Goes By’ after the (fabulous) British TV series of the same name starring Dame Judy Dench and Geoffrey Palmer. I’ve known Nonie for many years and she told me the quilt was based on the one which was always on the bed in this show, but you only ever saw the sides (masses of pinwheels) and not the top of it so we never knew what the whole quilt looked like.

So Nonie drew up the centre from the 1818 Ann Daggs quilt and placed that in the centre of her pinwheel quilt.

Fast forward to 2008 when I was doing a class with Nonie, and she very kindly gave me the pattern sheet for the centre of this quilt and a photo of her quilt for reference.

My quilt then evolved just a little bit more as I took out two of the birds from the Ann Daggs quilt and replaced them with the Peacock and Elephant from the 1858-1863 Bird of Paradise quilt top in the collection of the American Folk Art Museum. I had been in Rajasthan, India in 2008 and was looking to have a reminder of that. The Peacock is the State symbol of Rajasthan and, well the Elephant needs no explanation, I saw plenty of those on the roads.

So at last my quilt is done, after I’ve stitched the binding down!!

Name…? it’s working title has been The Rajasthan Quilt but I’m not sure that now feels right. I’ll ponder it a while.

Next on the list was this…

Le Rouvray's house quilt

…which I talked about back here

Quilting in progress

I had fun quilting this, randomly choosing between bricks for the houses and trailing vines

Le Rouvray House quilt

Today it’s a bit cooler so, after lunch, I am heading off to the cottage/studio to complete the two half drafted Maltaville Blocks which are lying in wait for me.

Look at this though…I have made sure I’ve remembered to “slow down, smell the coffee“

Coffee, Central Victoria style

4 Comments

Filed Under: 1800s Reproduction Fabrics, Applique, Machine Quilting, Reproduction Quilts

Happy Holidays

December 28, 2011 by Margaret

Season's greetings from my house to yours

My wish is to have time to relax on that sofa with some hand sewing, and something festive to eat and drink.

I know that won’t happen on ‘the day’ but Boxing day will do.

The studio is taking shape and I have been over there doing some work, but I’m still in that transition stage, where whatever it is I need to put my hands on…it’s in the *other* building.

I’ve noticed a few of us are enjoying new spaces at the moment…

Sue from I Sew Quilts

And Sally from Feather on a Wire

I’ve not yet moved my fabrics over, I need to work out where I want my shelves. And I just know I’ll change the furniture around a couple of times before I settle…and even then I’m likely to change it again.

Maybe it’s a Libra thing.

I do know it’s a DH thing to want to put shelves up just the once

So here’s a pic of the studio looking a bit more lived in.

Ahem,

That was all written last week…and I’ve only just sat down to blog again.

And the first thing I did was pop a new header photo up top…it’s a fabric I got on ebay.

Never saw this Margo Krager Dargate on our shores, at least not at any quilt shops I frequent.

However I don’t think it really ‘goes’ with the other colours and unfortunately I can’t find the previous blog header photo. It’s possibly in the folder that Jenn made, it has sub folders and each one she has marked *don’t touch* mmmmm

When she comes out next I’ll smile and ask her to put it back how it was…please.

I hope you all had a super Christmas, I have to do secret shots of my family because we’re all a bit camera shy.

I managed to snap this one of them relaxing after making short work of the antipasto platter.

Christmas 2011

DH has his back to the camera and I have caught my two kiddies chatting away like the happiest of siblings that they are.

Christmas was a small affair this year, which was very nice for the cook, moi.

Since then, I have been catching up with hand sewing so my Christmas wish did come true

I had a few Maltaville blocks earmarked to F.i.n.i.s.h., they had been hanging around way too long in various stages of completed-ness, so they went to the top of the ‘to do’ list.

Block A5

Block A5 was pretty straight forward… four small stars and eight little hearts. Tick

Block H2 in progress

Block H2 was another matter entirely. I had in fact progressed beyond this photo and months ago had sewn the centre shape…

but horror of horrors, the middle bit of it where the blades come together looked lopsided, even tho it looked perfectly symmetrical on the pattern sheet.

Well that was how it has stayed all that time but this week was the week to get it off the wall and deal with it.

Back to the drawing board, making sure the centre was a circle.

Start again

And while I was at it, I decided to sew the star using Barbara Brackman’s method of a star from a circle which I mentioned a while ago, here’s Barbara’s method here

I had made a couple of hasty trials (with bad results) in the past but for this one I calculated I needed a 4″ star with 1″ cuts. That should give me the star shape I wanted. I know I’m missing the point of this being a ‘free-form’ star aren’t I!

Free form star

Nope…I can’t live with that. I know it’s a satisfactory replica of the stars on the original quilt but I just am not happy with the way it looks. I know they are supposed to be ‘imperfect’ and template free and I know I am missing the point of it all completely but it’s not how I want my quilt to look…not my Maltaville anyway, maybe on another quilt it’d work for me.

I think the ladies of the 19th Century were just plain better at doing it sans template than I am.

So for this quilt I’ve gone back to the other way ~ an eight pointed star cut from a template.

Block H2, last star being sewn down

This block is now finished, so H2 done. Tick

C3 The Iris… this was a block that required only four Dark Blue pieces and a clayx added to it.

Of course, the reason I procrastinate over a block (and I’m sure we’re all the same) is that I’m just not happy with it and I’m not sure why yet…but it will come to me if I leave it long enough LOL

As I added each of the last four Dark Blue pieces, The Brown became less and less Okay until it just had to go.

I know the block would have originally been much stronger tones and probably a purple, but I liked the way it has faded to a warm brown. But it wasn’t looking right in my version. So now it is Purple.

Off with the old, on with the new!!

And while I was at it, that free form star is going too cos I’m not doing them like that now.

I love that Smithsonian fabric but it’s just a bit ‘flat’,

Out

C2 finished. Tick

Block C2

And one more block to show, truly all this done since Boxing Day.

Block C3

This one has been drafted for a while but I hadn’t had a chance to do any more with it, but now finished. Tick.

I’d like to get a little more quilting done on the Welsh Quilt too but someone has other ideas.

In our house a cat can sleep peacefully knowing they will never be moved.

til soon

5 Comments

Filed Under: 1800s Reproduction Fabrics, Applique, Design, Maltaville Album Quilt 1847, Musings, Reproduction Quilts, Smithsonian Fabrics

Gathering Dust…

November 22, 2011 by Margaret

Yes that’s what Jennifer said when she popped in yesterday,

“How’s that quilt coming along…it looks like it’s gathering dust?”

Pine tree blocks...still in progress!

It’s true I set the machine up on the end of the table so I would be able to sew the blocks in the evenings,

but it just hasn’t been happening. No reason, just not in the mood.

The machine has been there longer than I care to remember now, has to be a month I’d say!!

Never mind, I’ll get to it eventually.

Today the postie brought two treasures

Quiltmania magazine

and some fabric.

I grabbed a bit more RJR Smithsonian fabric from Heart of Dixie and *filled the bag* with some oldies but goodies.

Fabric goodie bag

Heart of Dixie is a great spot for those fabrics which have long gone in Australia, our repro stuff gets snapped up so quickly.

I’ve also been busy drafting for the Maltaville Quilt and getting very good at paper cutting.

I remember asking my daughter a while back about the pronunciation of Scherenschnitte

(she spent some time in Germany and then Zurich in her late teens as an au pair and going to German language school)

The conversation went something like this.

“darling how is Scherenschnitte pronounced?”

“How is what pronounced!!”

“Scherenschnitte, how do I pronounce it?”

“Mumsie, I don’t know, what are you talking about? I don’t know what you mean”

“you must know, you would have done it with the kids…Paper Cutting”

“ohhh, Scherenschnitte” pronounced in a way I could never hope to repeat.

Anyway here is my effort at that activity, I’m better at doing it than saying it LOL

Scherenschnitte galore

the above has now resulted in this

I find that the old fashioned paper cutting, like folded paper dolls,

is the best way to do some of these blocks and get them symmetrical (hopefully, though I’ve had a few rejects)

I should add that I’m sure my pronunciation is not too bad it’s just that where languages are concerned DD is a bit of a perfectionist.

Another nice thing that is happening is the arrival of Spring and soon Summer.

One of my cousins in NZ has joined me up to her Facebook Garden Group so I have been photographing,

and therefore enjoying more,

my garden as well as hers.

So here’s a lovely rose to enjoy from my garden.

William Morris Roses

Til soon

7 Comments

Filed Under: 1800s Reproduction Fabrics, Design, Maltaville Album Quilt 1847, Reproduction Quilts, Smithsonian Fabrics

Prussian Blues, an almost wordless post!!

November 7, 2011 by Margaret

Oh Boy, if only someone would reproduce these…please somebody, anybody!!

Prussian Blue and Buff fabric detail

I’ve got about four or five photo’s to post here. All these fabrics are from quilts in the collection of Janet O’Dell and I had the pleasure of looking at them over the weekend at the Quilt Study Group Australia Seminar ‘Unfolding Tradition‘.

These few quilts were only a taste of what we saw during Janet’s presentation

Traditional Quilt Turning of selected pre 1850 Quilts and Coverlets

Many thanks to Janet for showing these stunningly beautiful pieces from her collection and allowing me to show some pictures here of the fabrics in the quilts and coverlets.

Prussian Blue Ombre Stripe

The first two photo’s are from the same quilt.

These fabrics are in no particular order, I’m just grabbing them out of the folder.

Prussian blue and Buff...eccentric, vermiculate print?

These few quilts are a mix of British and American quilts and all 1800- 1850 approximately.

a selection of Prussian Blue fabrics

Prussian Blue Ombre Stripe

I have more to share over the weeks, we had 8 different presentations over the weekend so this is just a small taste

It was the most fantastic weekend, Thank you to Janet O’Dell (convenor) and all the organizers and speakers.

You can imagine I’m a weeny bit exhausted.

til soon

3 Comments

Filed Under: Antique Quilts, Prussian Blues

The first Tuesday in November…

November 1, 2011 by Margaret

…is Cup Day, that’s Melbourne Cup Day of course and we get a day off. It really is the race that stops a nation. Why? I don’t know.

I’m not really interested in Horse racing but I do like horses and even used to hurtle about the countryside on the back of this trusty steed.

Robbie and moi.

But given that we do have a day off I am going to catch up with some long overdue blogging, that’ll include reading as well as writing.

I was bit out of action with a bee sting the other week, of course Murphy’s Law dictates that after I had prepped lots of hand sewing to take to my LQG’s Quilt-in I was stung and could not even pick up a piece of cutlery, never mind a needle.

Normal hand

Big hand

Yikes…it’s been a long time since I’ve been stung and haven’t really had that reaction before.

All back to normal now.

And sewing again, phew.

I promised a little while back that I would share some pics from Quilts in the Barn, I took close-up photo’s of the fabrics in Linda’s antique quilts because I spotted some originals of fabrics which I have the repros of…does that make sense?

So here is what I shot, with thanks to Linda

this one's the antique quilt

This one's the repro Windham True Madder #20331

Jo Morton did a great one too for Andover fabrics a while back

Jo's interpretation for Andover fabrics

The next fabric really caught my attention

This paisley fabric is in Linda's antique quilt

These are my two bits of repro (it also came in green)

Windham Civil War IV c 1860 by Nancy Gere #25310-52

Windham Civil War IV c. 1860 by Nancy Gere #25310-32

I am really liking little spots and dots (almost as much as paisleys)

image of Antique yellow fabric with spot

The real deal

this one's the repro, Scrappy Dots by Judie Rothermel for Marcus Bros. Textiles 2006

Aren’t we lucky that we have such great fabric designers producing excellent repro’s for us to use.

Another thing I’m happy about is finding more of this

I didn't think I'd see a whole bolt of this again.

I took a trip to Melbourne on Friday with Jenn to do some fabric shopping etc and stopped at Quilters Bazaar in Gisborne on the way. I couldn’t believe it when I saw this fabric as I have had my now paltry sized piece for a few years and guard it jealously.

She had a whole bolt of it so maybe it’s been re-released, not sure and the staff didn’t know.

Anyway I now know what it is as before I knew only that it was an International Quilt Study Centre fabric, but it is designed by Kathy Hall with Jo Morton for Andover Fabrics patt #4132.

LOL I now have enough to make curtains, but there’s more there if you want any too.

Here’s one more pic from Quilts in the Barn, this one is one of Jo’s quilts featuring the above fabric

detail of Jo Morton quilt using Madder Stripe fabric

and here’s my Maltaville saturn block using the same fabric

Saturn Block for the Maltaville Album Quilt 1847

I think I’ve got time to quickly post a couple of pics on the Yahoo group ‘repro lovers’ before Jenn arrives for this afternoon’s task.

I don’t think that race is going to stop anyone in this household this afternoon.

soon

6 Comments

Filed Under: 1800s Reproduction Fabrics, Antique Quilts, Maltaville Album Quilt 1847, Paisleys, Vintage Fabrics

Just a bit of a (long) catch up

Gorgeous basket blocks

A little more applique

Maltaville Matters

Red & White Pine Trees Quilt

2012, i think it’s gonna be a good one.

Happy Holidays

Gathering Dust…

Prussian Blues, an almost wordless post!!

The first Tuesday in November…

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