Sarah Morrell Album Quilt 1843

Connecticut Quilt

Tommorrow several of us from the Goldfields Quilters are heading off bright and early to the Melton Quilters Quilt-In.

So I’ve just been puddling about in the studio deciding what to take, well … finalising what I’m going to take, I had decided earlier in the week to take these little Basket Blocks from my Connecticut Quilt which only need handles appliqued on, all cut/marked and ready to go.

Connecticut Quilt

I could/should (and will) take these.

But then I like to have a back up plan, in case I just don’t feel like working on the project I’ve brought with me… (This truly happens to me, I don’t know why.  Maybe I just have to sabotage my own plans…crazy)

…so I decided to dig out the blocks from the Sarah Morrell Quilt which I have been working on.  Love, love, love this quilt from 1843 which Di Ford (see Secret Sewing Sisterhood) recreated the pattern after.

I have completed a lot of these blocks already, pretty much all the pieced and needle turn applique ones, but have ‘quite a few‘ Broderie Perse ones to do and so I’ll take some of these to Melton.  And while I was deciding which blocks to take, I thought I might as well photograph and show them to you.

There are already many Morrell photo’s on blogs around the world but one of the reasons I want to show you mine is because I decided to use fabrics from my own stash, including my precious Smithsonian and Vintage fabrics, instead of the fabrics which came in the block of the month (those fabrics were gorgeous but I put them away in my stash in favour of using others). I also wanted my quilt to be more like the original in colour…  but I do want to say a big Thank You to Di Ford for a brilliant pattern, beautifully presented and well written.

Anyway here are some pics to enjoy…and I hope I get lots done tommorrow :-)

Morrell Quilt

This block's finished / top row, block 4

Morrell Quilt

I'm taking this one to finish...

Morrell Quilt

Haven't even started this one...tommorrow's the day

In the block above and the next couple below I used fabric cut from Den Haan and Wagenmakers ‘Tree of Life’ panel.  I’ve managed to get a lot of use out of just one panel…it appears in at least one other quilt of mine and I’ve still got bits left.

Morrell Quilt

Another finished one.

Morrell Quilt

Haven't started this one.

Morrell Quilt

mmmmmmmm Smithsonian...and it's finished.

Morrell Quilt

got a bit lazy, one big piece of Vintage Fabric stitched down...but it's finished.

Morrell Quilt

I'll take this one tommorrow...it's already to go, I'd even left the needle in...Bad.

Morrell Quilt

more Smithsonian Row 7 / block 6

Morrell Quilt

I decided to add an odd fabric in the centre, It's where William Strahan had his name.

Couple more…

Morrell Quilt

Vintage Fabric Row 8 / block 6 (finished)

Morrell Quilt

Smithsonian fabric...but I'm not sure if I'll use this one, it might not work.

Now I’ve got to organise my lunch and sewing notions for the day.

Thanks for visiting…

Fabric, fabric and more fabric

RJR Smithsonian Fabric

I didn’t get back to you about my weekend of super organisation a while back and my snazzy new label maker.  I had promised to post some photo’s of my fabric shelves and now that I’m getting more confident with Photo Shop it’s all getting a lot easier.

As you know I’m a great fan of the Smithsonian fabrics which RJR released quite a few years ago.  Most of my Smithsonian fabrics I’ve kept from all those years ago and they are still some of my most favourite…I can’t imagine I’ll ever tire of them. I keep them separate from my other fabrics, I don’t know why I do…I just do.  Maybe because it makes them easier to be admired and of course they just go so well with each other.

RJR Smithsonian Fabric

My favourite fabric stack...but if only it were taller (sigh)

However, about a third of my Smithsonian fabrics I bought about 5 years after they were released here in Australia and I found them in New Zealand, just in a small town’s quilt shop.  There were still bolts left and so I was able to pick up a bit of meterage.  And some I bought online just a couple of months ago on reproductionfabrics.com so it pays to keep looking.

Smithsonian and Vintage fabric tub.

The leftovers go in here, along with scraps of vintage pieces.

You also know how crazy I go over 1800s repro fabrics and after several years of studying Quilt History I have a developed a keen eye for the different styles of fabrics and where they fit into the time line of fabric production.  So I stack Turkey Reds, Indigos, Cheddars, Chrome Yellows and Poison Greens separately from Reds, Blues, Orange etc.

Turkey Red shelf

Love these Turkey Reds, they were in vogue after 1840.

I don’t use much green in my quilts…just not a fave colour so my regular green stack is hardly worth photographing… but I do have a reasonable stack of  Indigos  and I’m always on the lookout for Prussian Blues, good ones are hard to get.  Dyeing of Prussian Blue dates back to the early 1830s but  was popular in quiltmaking and clothing in the 1840s and 50s.

Indigo/Prussian blues

Love the Prussian Blue on the top, from reproductionfabrics.com

And this last photo shows one of my much loved stacks of French Fabric.  I have two stacks, one  for French fabric I have bought or aquired over the years and the other is this stack…

French Fabric

Fabrics bought from Les Olivades in St. Etienne du Gres, Provence.

Last year I visited Provence and was able to go to Les Olivades wharehouse/shop and showroom in St. Etienne du Gres.  They are reproducing fabric in the Indienne Style produced in Marseilles in the mid 17th century and are well worth the visit, either in person or online.

My DH and I drove  half way across the bottom of France for most of the day (we somewhat underestimated the distance involved) and we didn’t arrive in St. Etienne du Gres until 4pm even though we had left ‘home’ in the Midi Pyrenees at 8.30am, but of course the day did include the obligatory 2hr French lunch!!

I’m so glad to have been able to purchase some of these gorgeous fabrics that I keep them in their own stack…I have lots of ideas about what I want to do with them but I haven’t settled on one idea yet so for now they just remind of an enjoyable but long day out (we got home at 1am but had also managed ‘to squeeze in’ a trip to Pont du Gard at sunset…beautiful)

’til soon,

thanks for visiting…

Connecticut Quilt

Connecticut Quilt
Connecticut Quilt

Connecticut Quilt / Working Title

I want to show you the quilt (well the quilt so far) I am really going to concentrate on finishing this year… now that the Banyan Tree Medallion is finished.

It has the working title Connecticut Quilt because the inspiration has come from two quilts in the book (one of my faves)  Quilts and Quiltmakers, Covering Connecticut by Schiffer Publications.

The design comes from a quilt by Henrietta Smith Glover made  c. 1865-1890 but the fabric choices I made are taken from the quilt on the cover.

I’m loving using some of my precious Smithsonian fabric in this one.  You can see a better close-up of some of the fabrics  in my header photo.

Connecticut Quilt has been at this stage for about 18 months now… aaargh, how time flies…but this winter I’m going to really get going on it.   The next job is drawing up the basket blocks to fit around the centre.

I’ll keep you posted,

Thanks for visiting,

’til soon,

Margaret